《疯狂轮滑》剧情介绍
在不久的将来，2005年，一种名为“轮滑球”的新兴竞技运动迅速崛起，以其惊险刺激的特质吸引了全球的目光，成为备受瞩目的体育娱乐热点。每当赛季到来，数以万计的观众便会疯狂地为支持的队伍下注，并守在电视机前观看紧张的现场直播。然而，这项看似刺激的运动背后隐藏着黑暗与残酷的真相。轮滑球结合了冰球和马球的特点，强调个人技巧与团队协作，比赛规则宽松，对抗性极强。赛场上，摩托车甚至成为比赛器械，允许车手做出各种危险动作，甚至碾压对手，导致球员随时可能丧命。 国际体育团体严格限制这项运动的发展，使其仅在土耳其、哈萨克斯坦等地的半地下环境中进行。亚利希·帕托威克，一位俄罗斯大财阀，不仅拥有一支名为“骑士队”的轮滑球队，还掌控了整个轮滑球运动的组织权。为了追求利润，帕托威克对比赛规则和形式进行了多项改革，使比赛变得如同古罗马角斗般残酷血腥，进一步提升了其吸引力和“观赏性”。在帕托威克的经营下，轮滑球的规模不断扩大，吸引了越来越多的国际职业球队和球员加入，比赛水平也随之提升。 帕托威克的“骑士队”是一支技术高超、战无不胜的队伍，凭借队长乔纳森·克罗斯和灵魂球员马库斯·瑞德里、奥罗拉的努力，骑士队在联盟赛中取得了傲人的积分，赢得了大量球迷的支持。然而，帕托威克只关心球队能否晋级和为其带来利润，不惜一切代价，包括牺牲球员的生命。面对赛场上接连不断的悲剧和帕托威克的冷酷无情，克罗斯和队友们逐渐感到良心不安，决定采取行动揭露这项野蛮运动背后的罪恶，尽管这将使他们面临巨大的危险甚至杀身之祸。
《疯狂轮滑》影评:
0
有用
Thoughtfuldystopianvision
《疯狂轮滑》影评:
The film explores freewill in humanity. At the centre of its excellence is the character of Jonathan E and James Caan's performance. Jonathan does not start a rally, make passionate public speeches or even show much outward emotion. He is simply faced with an injustice and it's like an itch he can't scratch. It is just not in his nature to accept it, he can't.
Jonathan is part of a brutal game used to teach society a lesson and yet it is his skill in the game that creates his identity, not the rewards or luxuries.
The action and game scenes themselves are surprisingly coherent and well paced. While lacking sophisticated special effects, the escalating violence is far more shocking than the cartoon action of modern CGI films. The action serves to illustrate the themes, not to titillate or excite.
The direction is so skillful from Jewison that the final action scene, a game that ends in total carnage, and contains almost no dialogue, serves as a clear conclusion of the film's philosophical thesis. The scene is full of masterstrokes that play effectively against type. Jonathan walks through the expectant locker room silently, without making any of the motivational speeches we are expecting.
Personal note: I first saw this in the early 80s and rewatching this excellent piece of genre film art makes me realise what an abomination the modern remake is.
这篇影评可能有剧透
Rollerball is a thoughtful dystopian vision directed by Norman Jewison.The film explores freewill in humanity. At the centre of its excellence is the character of Jonathan E and James Caan's performance. Jonathan does not start a rally, make passionate public speeches or even show much outward emotion. He is simply faced with an injustice and it's like an itch he can't scratch. It is just not in his nature to accept it, he can't.
Jonathan is part of a brutal game used to teach society a lesson and yet it is his skill in the game that creates his identity, not the rewards or luxuries.
The action and game scenes themselves are surprisingly coherent and well paced. While lacking sophisticated special effects, the escalating violence is far more shocking than the cartoon action of modern CGI films. The action serves to illustrate the themes, not to titillate or excite.
The direction is so skillful from Jewison that the final action scene, a game that ends in total carnage, and contains almost no dialogue, serves as a clear conclusion of the film's philosophical thesis. The scene is full of masterstrokes that play effectively against type. Jonathan walks through the expectant locker room silently, without making any of the motivational speeches we are expecting.
Personal note: I first saw this in the early 80s and rewatching this excellent piece of genre film art makes me realise what an abomination the modern remake is.